unexpected journeys the art and life of remedios varo

Von nun an sollte sie ihr ganzes Leben dem Malen widmen. She continued to exhibit thereafter, with much of her work created in the last 10 years of her life.ĭer Ausbruch des zweiten Weltkrieges zwang Varo aus dem von Nazis besetzten Frankreich nach Mexico zu fliehen, wo sie andere Exilkünstler:innen kennenlernte, darunter Wolfgang Paalen, Gordon Onslow Ford und Leonora Carrington, welche ihre engste Freundin wurde.ġ953 kam Varo mit dem Australier Walter Gruen zusammen, welcher sein Land aus politischen Gründen verlassen hatte und sie leidenschaftlich in ihrer Kunst unterstützte. In 1956, she had her first major solo exhibition in Mexico City, and it was very well-received. During these years Varo’s artistic style matured into a unique brand of symbolism and iconography, often featuring women with heart-shaped faces like her own. During this time she devoted the rest of her life to painting. By 1953 Varo was in a relationship with Austrian political refugee Walter Gruen, who passionately supported her artwork. In the outbreak of the Second World War, Varo fled Nazi-occupied France for Mexico, where she connected with other exiled artists such as Wolfgang Paalen, Gordon Onslow Ford, and Leonora Carrington, who became Varo’s closest friend. Although Varo was involved with Surrealism in Paris, her works were only exhibited with the group occasionally.

After the outbreak of the Spanish Civil War in 1936, she fled for Paris with Surrealist poet Benjamin Péret.

After graduating from the Royal Academy of Fine Arts of San Fernando in Madrid, Varo moved to Barcelona in the mid-1930s and joined the Surrealist avant-garde art group Logicophobista.

Unexpected journeys the art and life of remedios varo